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When he performed it on “Late Night With Jimmy Fallon” this month, he began with a disclaimer: “Before I do this song, I just want to say to my friends and family, I want the best for everybody, and I love you all.” But during the song, he had the same eye of the tiger as in the “Stay Schemin” video - it was visceral, even a little uncomfortable. On “Too Much,” it’s family members and old friends who receive a tongue lashing. On “Pound Cake,” it’s his old classmates in the cross hairs: “Thinking back on how they treated me my high school reunion might be worth an appearance/Make everybody have to go through security clearance.” In places, now, he’s pushing back with ferocity. People still let Drake down - on this album, he talks about strained business-personal relationships on “Tuscan Leather,” and returns a few times to the subject of women he’s loved who’ve moved on and found happiness elsewhere. Wish you would learn to love people and use things To pick a million tiny little pieces off the ground When it falls apart, I’m always still down It’s about falling for a woman not worth falling for, and then falling again, and again, never learning a lesson: “The idea is so fun every time/At least we try for home run every time.” This is Drake at his eviscerating best, putting both himself and his partner under a microscope, then using the flaws as fuel: “Connect” is slightly rougher, more of a rumble than a mope. The song continues with melancholy piano flourishes by Chilly Gonzales, who set the reflective, miserable mood on “Marvins Room” on “Take Care.” (“From Time” also recalls Common’s wistful “I Used to Love H.E.R.” - and maybe that’s a quiet swipe at Common, who took some lazy shots at Drake a couple of years back.)

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But this album includes some of his most diaristic work, including “From Time,” which is full of scars: “Passive aggressive when we’re texting, I can feel the distance,” he says casually, as if exhausted. Sometimes the opposing personalities occupy the same song, as on “Furthest Thing,” part tender and part tense. That’s only part of what Drake’s done on “Nothing Was the Same,” but still a huge part.

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Such sturdy and assured early singles and guest appearances free him up to make an album heavy on catharsis. These songs taken together are the equivalent of a shuttle burning through its rocket boosters before thrusting into space, a familiar Drake strategy. He wanted success, and was aware of his more conventional competition, but his concerns were primarily internal.ĭrake performing on “Late Night With Jimmy Fallon.' Credit. West’s self-examination and stripped it of all its agitation, preserving only the emotional turmoil. Building on Kanye West’s template of ambivalence, Drake took Mr. It’s difficult to tell which of those is now the main plot - both are in play on “Nothing Was the Same” (Young Money/Cash Money/Republic), Drake’s third excellent major-label album, and the first to come as he is firmly ensconced in hip-hop’s top tier.īefore, he was an interloper effecting seismic change in hip-hop, thanks to his dismantling of the usual facades of acquisitiveness and fearlessness. That album was a bloodletting of heartbreak and anxieties, while “Stay Schemin” was a firm punch to the jaw that became a staple at the same time as some purple songs from “Take Care.” Not only was Drake writing his own narrative, he was also writing his own counternarrative. This came not even two months after the release of “Take Care,” Drake’s masterpiece album of sensitivity and recrimination, and it read like an almost total repudiation of it. And he delivers what is easily the most tart, harsh, menacing verse of his career: “Might look light, but we heavy though.” He gestures brusquely with a bandanna in his right hand. He spends most of his verse staring hard into the camera, his eyebrows barely moving. In it, Drake dons a black sweatshirt, black jeans, black boots and a gold chain. The clip is a fuzzy Michael Mann rip-off, nighttime Miami reduced to blacks, grays and electric blues, oozing sinister energy. That day saw the release of the video for “Stay Schemin,” a Rick Ross song featuring Drake and French Montana.

Kendrick Lamar - Good Kid M.A.A.Let it be known that the Tough Drake era begins not this week, with the release of “Nothing Was the Same,” the first official Tough Drake album, but rather began all the way back on Jan. Kanye West - My Beautiful Dark Twisted Fantasy. Drake - If You Reading this its too late.

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